Showing posts with label ballet. Show all posts
Showing posts with label ballet. Show all posts

Tuesday, 23 July 2024

Fouetté

 

Fouetté

Image courtesy Wikimedia Commons

I woke up with this word on my mind. I have no idea why as I haven’t been watching ballet recently and have never studied it in great depth.

The word comes from the French fouetter, meaning to flog or whip.

A fouetté or ‘fouetté rond de jamb en tournant’, to give it its full name, is a movement in ballet in which the dancer stands on one foot and moves the free leg in a whipping motion in front or behind the body while spinning. It is an extremely difficult move to perfect and takes determination and hours of practice.

Most professional ballet dancers train for about six hours a day for six days of the week and are judged to be among the fittest of all athletes. The nature of their work means that their bones are strengthened as well as their muscles, because dancing is a weight-bearing occupation.  After eight to ten years of training, a professional ballet dancer’s life as a performer does not usually last beyond the age of thirty-five. There are exceptions, of course.

The ballets in which thirty-two fouettés can be seen are Swan Lake, in the pas de deux of the Black Swan, and the wedding pas de deux in Don Quixote.

Wednesday, 8 August 2012

The Ballet Dancer and the Hammer


The Ballet Dancer and the Hammer

It may sound like the title of a thriller but actually refers to Sophie Hitchon, the 21-year-old Olympic hammer thrower who broke her personal best record in qualifying, setting a new British record.

It’s difficult to reconcile ballet and hammer throwing but both require dedication, strength, balance and timing. Good luck, SophieJ

Wednesday, 8 February 2012

Crow Lake

Swans are graceful and elegant so it is appropriate that they have a ballet dedicated to them. Other birds, too, inspire poetry and music, crows among them.

Now, crows would be the first to admit that they do not have musical voices –far-reaching, attention-seeking, interesting, yes, but not musical. That is not to say that they do not appreciate the finer things in life – a cordon bleu meal, a night at the opera, glorious architecture, stunning art and ballet. We did not realise this – perhaps you, too, are ignorant of their sensitive nature.

The two crows who greet us each day in the forest (their names are Bill and Beatrice, by the way) noticed our scepticism about their aesthetic tastes and resolved to persuade us of their artistic leanings. We were treated to an impromptu performance of their latest oeuvre. Unfortunately they were still working on the choreography for their pas de deux so I can only show you stills from their solos. I think you will agree that their footwork is faultless. 

The photos were taken in poor light at sunset.
petit jeté(small jump)
petit jeté(small jump)
beginning of pirouette
petit saut (small jump)
 en pointe
completion of chassé 
échappé
For comparison I have downloaded a YouTube clip of Gillian Murphy, Principal Dancer of American Ballet Theatre, dancing Odile.

Saturday, 25 June 2011

Maffick Monday #1 A terrible dancer

Alicia is hosting Maffick Monday. Her prompt is ‘Write about a terrible dancer.’ Thanks, Alicia – hope you enjoyed your camping J

(I’m rather late with my submission.)

You don’t realise the true size of someone until you see them in a leotard, thought Sylvia.  Fully clothed, her daughter Miranda looked quite elegant and rather pretty.  She was tall and broad shouldered and had the milky skin that so often goes with tawny hair.

She had taken ballet classes since she was five and participated each year in the shows her dancing teacher organised.  She was now seventeen and nearly six feet tall and the summer show would be her last appearance. In the autumn she was going to university and her dancing days would be behind her.

Sylvia had encouraged her daughter to continue dancing, realising early on that Miranda was going to develop into a big girl and would need the discipline of dance or sport to coordinate her limbs. Miranda had never been interested in athletics or games, didn’t care for swimming and was content to continue ballet lessons.

First onto the stage tripped the little girls and one small boy. They looked so sweet as they galloped about to the music. One of the children was very lissom and floated across the stage like thistledown. Miranda had never been like that, Sylvia thought, a little sadly. The more advanced classes followed, consisting mostly of girls with one or two boys. The differences in physique were more noticeable in the older students. Some were slim and fine-boned and in perfect proportion while others were undergoing the trials of sudden growth spurts when limbs didn’t quite match heads or trunks. Miranda had often seemed rather ungainly in her early teens but now looked much more balanced.

At last it was the turn of Miranda’s class to perform. They wore pointe shoes which clonked across the wooden boards. Each dancer in turn performed a short solo and then they danced an ensemble piece.  Miranda stood head and shoulders above the rest of the chorus. She had not been placed in the centre where her mother had expected her to be but off to one side, almost out of view.  Sylvia wondered why but as they danced she began to understand the reason. Miranda was always half a beat behind the others. Through the years Sylvia had noticed that her daughter’s timing was slightly askew when she played the piano or her guitar but she had never recognised until now just how poor Miranda’s sense of timing was. As she reflected on this she realised it had got worse as the years rolled by.

That evening, over dinner, Miranda confided in her mother that she was glad she would never have to dance on stage again. ‘You know, Mum, everybody thinks I’m a terrible dancer, but I’m glad I stuck at it. My timing’s dreadful but dancing has taught me how to hold my head up high and always do my best.’ Sylvia smiled and squeezed her daughter’s hand.