1939
After the
end of the First World War, the Duke of York, later to become King George VI,
following his elder brother’s abdication, wanted to try and break down some of
the class barriers rampant in Great Britain. He founded week-long summer camps,
which ran annually until 1939, just before the outbreak of World War Two.
His ambition
was to bring boys together from dissimilar circumstances to enjoy outdoor
pursuits and find common ground and friendship. About five hundred boys from
backgrounds as varied as public (fee-paying) boarding schools and mining
communities were invited to join.
Southwold
Common in Suffolk was a frequent location, and the Duke of York often joined
the boys at the camps for a day, even after he became King. He enjoyed taking
part in activities, which included games, swimming, talks and entertainments,
and sleeping under canvas with the boys. The boys knew him as the Great Chief,
and he wore the same uniform of shorts and shirt as they did. The importance of
teamwork was emphasised.
In 1939,
when it was clear that the country would soon be going to war again, and the
young lads would be embroiled in combat, the King decided that he wanted to
spend more than one day with ‘his boys’ and so invited them to Abergeldie
Castle, three miles from Balmoral.
For this
final camp, which he renamed the King’s Camp, the King invited just two hundred
boys, and altered the emphasis from games and competition to discovering the
wonders of nature. He planned all the activities, including mapping out hikes they
would take. The boys were invited to tea at Balmoral Castle, where they met the
Queen and the princesses.
The last camp
commenced on 5th August. War was declared on 1st
September, four weeks later.
Pathé
News, which produced documentaries and newsreels for sixty years, from 1910 to
1970, presented a review of 1939. Part of it showed George VI and other members
of the Royal Family at camp, singing ‘Underneath the spreading chestnut tree.’ It was a favourite song
of his and was chosen for the 1948 Royal Command Performance.
It was
also a favourite of mine, and one I enjoyed teaching. The lyrics, inspired by the
first line of ‘The Village Blacksmith’ by Henry Wadsworth Longfellow (1807-1832)
were written by J and H Kennedy. Hal Kemp set them to music and the song
was recorded by the Glenn Miller Orchestra in 1939, with Marion Hutton. It’s delivered
at a spanking pace, and I can imagine anyone attempting to add the actions
would be quite breathless by the end.
Below are
the actions to the words, as clearly as I can set them out.
Underneath the spreading chestnut tree (spread
arms above head, then touch chest, head and lift arms high)
I loved him and he loved me. (hands on heart, then hug)
There I used to sit upon his knee, (hands on knees)
‘Neath the spreading chestnut tree. (as
before)
There beneath the boughs we used to meet, (spread arms, then clasp hands)
All his kisses were so sweet: (kiss fingers)
All the little birdies went ‘tweet-tweet’ (fingers make bird beaks)
‘Neath the spreading chestnut tree. (as before)
I said, ‘I love you and there ain’t no ifs or
buts, (hands on heart, shake finger)
He said, ‘I love you’ and the blacksmith shouted, ‘Chestnuts!’
(hands
on heart)
Underneath the spreading chestnut tree (as before)
There he said he’d marry me, (mimic placing ring on finger)
Now you ought to see our family (hand indicates heights of children on ‘fa-mi-ly)
‘Neath the spreading chestnut tree. (as
before)
As with
all songs or dances, there were adaptations. The following clips show two. The first shows the King and his family singing at a camp sing song.
The
second shows how the song emigrated to the USA to become a dance.