Wednesday 24 January 2024

E.H. Shepard

 

E.H. Shepard

Illustration from 'Winnie-the-Pooh' by A.A. Milne
Original illustrations were black and white
Ernest Howard Shepard (1879 - 1976) showed a talent for drawing at a young age. He was a friendly boy with a liking for practical jokes and was nicknamed ‘Giddy-Kipper’ by his peers. The name remained with him, in the shortened form of ‘Kip’ for the remainder of his life.

Illustration from 'Winnie-the-Pooh' by A.A. Milne
Original illustrations were black and white

Although he is probably most recognisable as the illustrator of ‘Winnie-the-Pooh’ and ‘The Wind in the Willows’, Ernest Shepard produced many cartoons representing war images and political figures for ‘Punch’, the ‘Illustrated London News’ and ‘London Opinion’. 

Only single men under the age of 30 were initially allowed to enlist in the forces in World War I, to his frustration – he was a married man of 35 when war was declared. He was eventually able to enlist and was posted to France as a junior officer.

British propaganda against Mustafa Kemal Ataturk, 17th November, 1923

Image courtesy of Wikimedia Commons

His elder brother was killed on the first day of the Battle of the Somme, July 1st, 1916. Shepard was awarded the Military Cross for conspicuous gallantry at Arras and served with distinction in the Italian Campaign. All the while he recorded his experiences through his drawings. 

                 Illustration from 'The King's Breakfast' by A.A. Milne

Image courtesy of Wikimedia Commons

After he was demobilised, he became a staff member of ‘Punch’ magazine and was asked if he would consider illustrating some verses by A.A. Milne. He agreed and the verses were published as ‘When We Were Very Young’ in 1924 and were followed by ‘Winnie-the-Pooh’, ‘Now We Are Six’ and ‘The House at Pooh Corner.’


         Illustration from 'The Wind in the Willows' by Kenneth Grahame
                          Original illustrations were black and white

Subsequently, A.A. Milne introduced him to Kenneth Grahame, who had written ‘The Wind in the Willows’ in 1908 but had not found an illustrator he liked for it. Shephard visited Grahame at his home in the Thames Valley, in Pangbourne, and was inspired to create the drawings for the book. They greatly pleased Grahame. 

' . . . there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.'
        Illustration from 'The Wind in the Willows' by Kenneth Grahame
                    Original illustrations were black and white

Shepard continued to work as the chief cartoonist for ‘Punch’, covering important events like the Abdication, the outbreak of World War II and the rise of Churchill. In 1953 he was sacked as leading cartoonist from ‘Punch’ by Malcom Muggeridge, who wanted a fresh look for the magazine.

Shepard grew to resent his ‘Winnie-the-Pooh’ illustrations because he felt they overshadowed all his other work. He was heard to refer to Pooh as ‘that silly old bear’.

In similar vein, A.A. Milne, disliked the fact that his children’s books were better recognised than his plays and novels and film scripts.

 

31 comments:

  1. Those are great illustrations for the famous books and suit the books perfectly. He lived to his late 90s, that is a long life filled with accomplishments in war and in peace.

    ReplyDelete
  2. Drawing and sketching are talents I would love to have. E.H. Shepard certainly had them, his illustrations are excellent.

    ReplyDelete
    Replies
    1. I have so often wished I could draw. It must be wonderful to capture places, animals, people.

      Delete
  3. I just love E.H. Shepard's illustrations for Winnie the Pooh and Wind in the Willows. And thanks, this breakfast time, for reminding me of 'The King's Breakfast' poem.
    Cheers, Gail.

    ReplyDelete
    Replies
    1. PS would it be less majeste to suggest that there's a little bit of the King in the poem in our current head of state? (Of course, we all now know, post Paddington video, that the late Queen liked marmalade!)

      Delete
    2. Shepard must have had a king in mind and the characteristics are passed down through the generations . . .

      Delete
  4. Illustrations are a very important part of a book
    for me...if there are 'NO' illustrations, l don't read
    the book..Period..! Can't be doing with just words,
    on a page, and then page after page...Patience you
    see..or lack of it...HeHe! :).

    If it was me...I'd sooner be remember by my funny
    illustrations than more serious work..but then l'm
    a fun..or should l say funny guy....! :).
    "I see no ships..only hasdships"...HeHe! "Once a king
    always a king..But...No! No! Forget that one..! :(
    Right! I'm off to Lidl...Ciao! Ciao!
    🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️ 🖐️

    ReplyDelete
    Replies
    1. I'd just like to be able to draw recognisably . . .

      Delete
  5. Hi Janice - I hadn't realised the Giddy Kipper nick-name ... he was a gorgeous illustrator and really depicted the countryside so perfectly as we perceive it. Lovely post - cheers Hilary

    ReplyDelete
    Replies
    1. A pictorial historian, you might say . . .

      Delete
  6. Both writing and illustrations are amazing and yet both men discontent with them, how sad. I love the drawings they are the characters.

    ReplyDelete
    Replies
    1. It is sad but I suppose they wanted recognition for their more cerebral work.

      Delete
  7. I have a Wind in the Willows book and it has beautiful illustrations but I would have to find it in the bookcases to remember who was the illustrator. I am impressed by the illustrations you have shown.

    Ernest sounds like a bit of a bolshie and more power to them.

    ReplyDelete
    Replies
    1. He was an interesting man and achieved more than he's generally recognised for.

      Delete
  8. He was extremely talented and as a youth reading Winnie the Pooh and Wind in the Willows, the art word was instrumental to keep a child's imagination going. As an adult I can see how important his drawings were at the changing times of war and (wishfully) peace.

    ReplyDelete
  9. He may have gone off Pooh but those illustrations and the Wind in The Willows ones are so very timeless and well loved by so many aren't they?
    Alison in Wales x

    ReplyDelete
  10. They are well-loved. Disney didn't do so well, I think.

    ReplyDelete
  11. I think they are lovely illustrations. Perhaps today he wouldn't be so harsh on those Pooh illustrations of his. They are so loved

    ReplyDelete
    Replies
    1. To have one's work so well-loved would be reward enough, but I'm not an artist and might feel differently if I were.

      Delete
  12. I've always loved E. H. Shepard's illustrations, and the ones he did for Winnie-the-pooh are truly iconical. I couldn't imagine A.A. Milne's books without them, and to this day, it's his illustrations we think of when we think of any of the Winnie-the-pooh characters. I much prefer the original black and white ones, though! xxx

    ReplyDelete
  13. Black and white films and photographs always demand more attention, I think, but I do like the coloured illustrations. x x x

    ReplyDelete
  14. I think these books and illustrations are well loved by many.

    All the best Jan

    ReplyDelete
  15. A late comment but I would like to add my love for Shepard's illustrations. Interestingly, yesterday at the library I found "The Natural World of Winnie-the-Pooh: a walk through the forest that inspired the Hundred Acre Wood." It's of course amply illustrated and promises to be great reading.

    ReplyDelete
    Replies
    1. How wonderful. I hope you enjoy it. Shepard's drawings are so full of life and movement.

      Delete
  16. Ah, my childhood there in your blog!

    ReplyDelete
  17. They are beautiful illustrations. Thank you for sharing and the story of the man behind the drawings.

    ReplyDelete
  18. He was very talented, I think.

    ReplyDelete



Thank you for visiting. I love to read your comments and really appreciate you taking the time to respond to posts.

I will always try to repay your visit whenever possible.